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Author Archives: Kitten von Mew

Halloween 2012


With so much preparation, I can hardly believe it is all over (although slightly glad that I can have a vaguely clean house before the Christmas decorations go up!).

This year was so much fun thanks to visiting friends AND trying pumpkin engraving for the first time and loving the effect. We went mad decorating the cottage and it looked amazing. Here are some photos of our best bits, costumes and decorations!

 

Bex and Trampy Halloween 2012

Bex and Trampy with AMAZING makeup and costumes on Saturday! Taken by KvM

 

Corpse Bride Costume by Kitten von Mew

My Corpse Bride Costume Completed!

Finally a picture of my Corpse Bride outfit! The makeup was very uncomfortable, but Im trying a lighter finish for Dr Sketchy’s in late November!

Halloween Decor in the Bathroom

Halloween Decorations in our Bathroom!

Haunted House Halloween Decorations

Our spooky cobwebs and dead flowers really gave the place a chilling touch!

vintage halloween decorations

Spooky cobwebs covered the living room

Corpse Bride Halloween Decor

Our Corpse Bride sitting at the buffet table on Halloween night 2012

Halloween Fish Tank

Even the fish got a Halloween theme!

funny halloween photo

Our engagement photo was transformed thanks to a couple of Frankenweenie characters

Frankenstein Engraved Pumpkin

My 1st attempt at pumpkin engraving! You need stronger candles for the light to shine through, but WOW! Amazing effect!

 

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HP Saucy and Dai on Wednesday

 

Bride of Frankenstein Kitten von Mew

My Bride of Frankenstein special FX makeup that I wore to work and on Wednesday evening! And yes, apart from the white streak that is all my real hair!

 

Pumpking Carving Competition

Pumpking Carving Competition with Anna, Ollie, Bex and Trampy. Trampy won!

 

Richard and Kitten Halloween 2012

Corpse Bride Kitten and ‘James Boned’ Mr Moo on Saturday

Stay Puft and Ghostbuster

Hilarious Ghostbuster and Stay Puft on Wednesday. Most hilarious thing I have seen in ages!!!!

 

Kitten and Richard, Halloween 2012

Having a giggle with our brilliant gingerbread bat lolly! How cool is that?!

The Corpse Bride Halloween Costume


It’s a well known fact that I LOVE Halloween. Ever since I was a child, I have never been one for plain old costumes and created ever more unique ensembles, ranging from Dracula with a puppet snake (made out of a pair of tights and worn like a sock puppet), road kill and Charlotte (a famous girl ghost of Warwickshire who was locked in the family tomb in the plague as they thought she was dead, only to re-open the tomb later to find her dead on the steps with her fingernails worn away from clawing at the entrance and chunks of her arm missing…presumably from hunger and madness).

Last year I experimented with a 1920’s harlequin and sugar skull makeup and this year I have been given the opportunity to try and recreate Tim Burton’s fabulous Corpse Bride! I have longed to do this ever since watching the film, but finding the time and excuse has been difficult. With an aptly themed Birmingham Dr Sketchys on the way and a small Halloween get together, I think I may have found the excuse!

Candee, Birmingham Dr Sketchys curator and my dear friend, donated a wedding dress for me to play around with. After trying it on to test the style, I carefully cut out the underskirts and set about cutting off the sleeves and bodice, so that I could re-attach with a more A-line look. The silk gave the gown a fabulous vintage feel from the offset, whilst the Venice lace around the edge helped give a ragged feel to the train. I dyed the bodice and skirt separately in a tin bath with China Blue Dylon dye, taking the bodice out after a few minutes as I wanted this paler. I started getting concerned that it was turning green but luckily it did eventually go pale blue! The Corpse Bride’s dress was actually white, but I loved how the dress took on a blue hue in the moonlight and shadows as it gave it more atmosphere. I played the movie again and again to get a feel of the train with its holes and jagged edges and to get the other small details right, such as the purple-blue edging. I managed this with some BMW Topaz Blue spray paint and hand painted over the top with blue and purple acrylics all the way around the train and bodice edges. I also added spray paint around the holes and tears to make them really stand out.

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Back of the gown with new panels to increase bust. Created by Kitten von Mew

Next came that hole, revealing the Bride’s ribs. After searching online for costumes and SFX latex body parts I decided to make my own simple version. I didn’t want gory or bloody and bits of flesh hanging off the bones. The beauty of Tim Burton is the clean lines and purity. Death was portrayed as the colourful happy place compared to ‘upstairs’ (Life), which was tinted with sepia and dull greys. I used high quality black velvet for the background as this fabric is perfect for absorbing the light, giving the illusion of a dark cavity. For the ribs I found some off-white ribbon sewed 2 lengths together to make a tube and stuffed it with polyester stuffing. I made 4 of these and then sewed them onto the black velvet with a slight curve to make the effect of ribs. This was then glued to the inside of the bodice and left to dry whilst I danced around the room with excitement.

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Corpse Bride Costume by Kitten von Mew

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Bodice detail showing ribs. Costume by Kitten von Mew

This weekend I managed to complete the headdress and veil! The veil in the animation is made from Muslin, which has a good tatty feel to it. I happened to have some spare and kept it off white, whilst cutting jagged edges and spraying them with the car paint. In some parts of the movie, you can see swirly vine detailing on the veil. It is sometimes portrayed in grey and others in purple, so I took the theatrical route and went the latter so it stood out.

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Corpse Bride Veil by Kitten von Mew

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Handmade Headdress by Kitten von Mew

Next came the headdress. I had bought a long wig from Ebay which ended up being purple and not dark blue! It doesn’t look too bad, so sprayed a little paint on it to add some matting. The headdress itself I made out of thin plastic corset boning wrapped with leaves, berries and flowers. There are more on one side than the other, which is true of the film too when you see the piano duet scene. I sprayed with the same blue paint and over-painted with grey acrylics. The veil was then attached to the back by folding over the top edge.

Next the legs…The Corpse Bride has one skeleton leg with skin on her foot and ankle like a baggy blue sock, whilst her other leg is blue skin. This is easily done by cutting off 1 blue leg from your tights and attaching a skeleton print one in its place. You can then use the cut off blue leg to use as the baggy skin. Genius huh?

The arm has been a little more difficult. I haven’t got the pennies to buy a prop skeleton arm (my first idea), so will be doctoring a skeleton print glove by adding more length and extra bone. This will then be sewn to the underarm of the bodice and held on the shoulder with some toupee tape if needed.

I have the makeup ordered (light green for the base, then blue and white to blend with purple eye powder for shadows) and will post about this when I have tried it out!

Enjoy the photos of my costume and I will get some shots IN the costume on Halloween!

Hazards In The/ In My Field


On a rather soggy weekend at Wartime in the Vale (June), Mother Nature slapped me round the face with the back of her gale-force hand and tested my hairspray and heels to the limit with rain. It then struck me how different and more prepared you have to be as an entertainer at WWII and other open air events.

Walking around as a visitor, you bask in the glory of vintage vehicles, reenactors, stalls and entertainers, but forget that those singers, dancers and models that enthrall their audiences aren’t effortlessly immaculate. They have to walk the same cobbled streets you walk, brace the same weather and still have to look as if they stepped out of a magazine or movie, no matter how boggy the fields.

Image donated by Lola Lamour

Lola Lamour in the rain, by kind donation of her good self (please do not use without her authorisation!)

I always love watching such performers as Lola Lamour, who (like me) is a complete devil for iconic 1940’s fashions, but to abandon her original snakeskin heels for a pair of wellies would degrade her star-like status and outfit. So we must hop, wobble, hobble and skip to dodge the hazards that may turn our nylons into “Goodbye, so long!”s and beloved pinup shoes from ‘irreplaceable’ to ‘untraceable’ under the mud. I stare enviously at those wearing military gear and warm boots, but am hell bent in wearing my lovely hats and 40’s dresses! Sure I could shelter in a tent for the entire event, but what would the fun in that be? I want to be out, meeting people, seeing things and buying bargains!

Portaloo’s can also be a strategical nightmare as you force your layered outfit into the confined space, dodge the floor of mass disruption (the glory of mud caught in the deep tread of boots), try and balance your handbag as you struggle with your straight-jacket underwear and test the endurance of the wall and door with many an accidental elbow ‘thwack’ as you try and rearrange your outfit again. You either exit looking as if you have been wrestling hippos in there or with an upturned nose and shudder. Classic signs of a girdle struggle is when you can hear the lady in question jumping up and down in the cubicle and she comes out all red faced and puffed out. I almost feel like waving a little flag and giving a cheer to those poor souls that survive the porta-hoopla.

Performing at field events can be the most tricky of all, especially if the changing room is in a completely different area. I say room, when this could actually be a tent depending on the event. I remember fondly getting ready in the back of the USO tent with just a gas lamp and tiny compact mirror; ducking and diving behind stacks of debris to change into my Burlesque outfits and praying that my pasties would be somewhat even…

My most recent event was a huge challenge because of the weather! Getting changed in a nice large mess hut was great, but then negotiating the journey back to the performance tent (where I would have to wait outside to make my entrance) in the mud and rain was a different story. I had decided to do my Pipe Dreams act, which is a gorgeous, sparkly WHITE costume (silly, silly kitten….), which would also showcase my new, spangle-tastic silver shoes from Johnson’s Originals (yes…I know…).

Kitten von Mew, 1940's Burlesque 'Pipe Dreams'

Pipe Dreams being performed at War and Peace Show 2011 – Image by Mr Mew

As I hid beneath my ghillie ‘tobacco’ cloak and staggered towards the entrance of the tent, a rather lively German reenactor didnt realise I was creeping up behind him and gave me a prompt kick on the knee (He was performing an energetic Morecombe and Wise dance move that would have been impressive without the plastic beer glass in hand). As the mud gave me friendly pat on the back of my fishnets and greeted my NEW SHOES with as much enthusiasm, I suddenly realised that the front of my white panel skirt also now resembled a piece of used toilet paper and I hadn’t actually started my performance yet. So what happens in this sort of situation? Do you storm off like a big stroppy Diva? No, you ruddy well get on with the show and laugh it off. Yes there were swear words later and even a disgruntled huff with furrowed brow (I know, stand back when you see these signs), but those are the hazards you have to face when working in these environments. They still enjoyed the show and I fear most of the audience were more ‘moths to my light bulbs’ than my disgraced shoes, but that is all the better. More importantly the shoes are now clean and lovely again! Huzzah!

Military Magazine Issue 1 Article – Carbooting


CARBOOT BARGAINS

As winter waves its white hanky at the world, Spring and early Summer means one thing for most of us; the lul before the WWII events and… Carbooting!

Unfortunately due to wedding costs, I cannot afford our much loved flea fairs at present, so we are resorting to the odd visit to the local carboot instead. With a budget of £15 you can still find some amazing bargains if you hunt carefully enough!

Another great tip is to wait until right at the end of the carboot for when people are packing up. Some stall holders cannot be bothered to take things home so either leave a box of ‘junk’ by a bin that can hold a few treasures or sell things off for coppers.

Our recent treks to the carboot have been most satisfying and I managed some great finds! My first was a studio photo of the Beverley Sisters, which was not only signed on the back, but also again on a page from an autograph book. This fantastic piece of vintage music memorabilia from the very early 50’s only cost me £4! I am planning to mount it in a frame with a Beverley Sisters LP when I get around to it.

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On our second visit I managed to pick up a WWII American parachute, which Mr. Mew had seen the previous week. The guy was offering it for £35 (an amazing price indeed!!!), but sold it to me for £28 in a tatty canvas bag. On taking it out, I saw that it was dated 1942 and stamped with the makers name (a men’s trouser company) and the logo for Philadelphia Ordnance District where munitions have been made since the 20’s.

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My final great find was the King George Farthing Bracelet, with coins dating from 1941 and 1942. A great piece of sweetheart jewellery from the war, it has been masterfully made without drilling holes into the coins and dipped into silver (as the coins are originally copper). This fabulous bracelet cost me just £2 and was met with envious eyes when showing friends!

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Carboots are certainly getting more difficult to find collectible wartime memorabilia at good prices, especially as half seems to be pricey antiques dealers and the other half people flogging their Danielle Steele collection, Challenge Anneka board games and marble print dining curtains. There are still a few gems out there and as long as you aren’t too fussy about condition, you may be able to grab a few 1940’s books and china wear to add vintage touches to your home too.

A good tip for the ladies; don’t be afraid to dress up for these field events. Although you may stumble and totter over a few pot holes… and small dogs on too longer leash, there is a lot to be said about the power of vintage fashion! I never go to any flea market or jumble sale without some form of iconic headwear and a red lipstick smile. This proves a useful talking point with the sellers and has gained me quite a few bargains and some wonderful connections in my time!

Go with a small budget and this will make you more picky, observant and eager to barter on each stall. It also makes it a fun challenge! If you see anything more expensive than your budget that you MUST have, just ask the stall holder whether they will save it for you and exchange details. Some are very obliging, especially if you can give them a small deposit (or that annoying small dog on a too longer leash) as a down payment…

Goodwood Revival 2012 Photos!


Here you go folks! A round up of photos taken mainly by Mr. Mew of the 3 days. I would have included more of him, but he was not happy with his outfit and hat mismatch, so have had to leave some out. Enjoy!

 

Kitten von Mew and Bill

Supposedly Bill and Ben, but more like Thompson and Thomson from TinTin or Mr Ben! Bill, his son and I in the back lot at Goodwood Revival

James Bond Baddies and Kitten von Mew at Goodwood 2012

James Bond Baddies and Kitten von Mew at Goodwood 2012

Goodwood Revival Camels

The camels outside the Driver’s Club VIP area!

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Inside the Driver’s Club, shmoozing with the peoples…

Kitten von Mew and The Garrison at Goodwood Revival

Kitten and The Garrison reenactment Group with a couple of members from the Goodwood team too!

Kitten von Mew and Ian

Kitten von Mew with ‘Daddy Tiger’ outside The Mess VIP area

Dan Gurney and Kitten von Mew, Goodwood 2012

Dan Gurney and Kitten in the Driver’s Club. What a guy!

Pinup Girls at Goodwood 2012

A couple of pinups from a magazine wanting photos!

Kitten von Mew in a Racing Car, Goodwood Revival 2012

Sitting in a classic F1 racing car…again… Thanks boys! You certainly need a corset to squeeze into that tight space!

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Derek Bell, Kitten von Mew and Tiff Needell in the Driver’s Club. Nice to be recognised!

Kitten in What Katie Did Corset at Goodwood Revival

Kitten von Mew posing on the WWII Swordfish at Goodwood Revival in What Katie Did’s Union Jack Corset

Kitten von Mew and Stirling Moss, Goodwood Revival 2012

Sterling Moss and I in the Driver’s Club. His wife recognised me immediately which was lovely. I proudly told her all about fitting a thermal vest under my corset. Stirling was more interested in my suspender belt 🙂

Kitten von Mew and Sue O Donoghue at Goodwood Revival 2012

Kitten von Mew and Sue O Donoghue in the backlot having a squidge. Didn’t get to see enough of my lovely lady this year!

Terry Elliot and Kitten von Mew, Goodwood 2012

Terry Elliot and I posing with the Daily Telegraph on Staurday which had a 2010 photo of me in there advertising Goodwood! Yeeehaw!

Kitten von Mew modelling What Katie Did Corset, Goodwood Revival 2012

Mid shoot on the Swordfish, posing with British Navy veterans, whilst wearing the gorgeous Union Jack WKD corset!

Kitten von Mew in Union Jack Corset at Goodwood Revival 2012

The best of British at Goodwood Revival 2012!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Alton Towers – The Gardens and House


Kitten von Mew at Alton Towers

Kitten von Mew at Alton Towers

My trip…

We did not go to face the big rides and queues! To be honest I wanted to show Mr Mew the house itself and the beautiful gardens, which are somewhat overlooked nowadays. As we climbed down the woodland path with its walls of gnarled tree roots and stone walls, it was still hard to shut out the droning electrical clatter of the cable car. But soon even the screams of happy roller coastering youths were but a hum as my senses exploded with the mossy cool air of the shade to the hot grassy scent in the sun as we reached the old conservatory and ‘Le Refuge.’

Alton Towers Conservatory by Kitten von Mew

The crown on the glass domes top of the conservatory taken by KvM

Passing confused teenagers with maps “Looking for Air” and puffed out parties of girls thinking that it would be quicker than the cable car, no one really took in these beautiful surroundings and were more hell bent on finding the next death defying ride. If only they were to stop for a breath! Look at the stunning lake with its oriental pagoda! Take in the shadows and stillness of the once tropically cultivated conservatories! Imagine the harpist that lived in the little thatched cottage and was hired to fill these gardens with music! But no, they just hitched up their low cut jeans over their crystal embellished g-string and muffin tops and sauntered on towards the shouts and smell of fast food.

Conservatory Cobwebs by Kitten von Mew

The cobwebbed light of the conservatory, taken by KvM

I was in awe of the conservatories. The paintwork had baked in the Sun and cracked to show all of its original colours underneath.

Alton Towers Conservatory Windon taken by Kitten von Mew

Through the window, taken by KvM

A solitary palm tree, planted in one of the beds had grown large and broken through one of the glass roofs to escape the loneliness within and a large stone pool once filled with fish and a splashing  fountain now lay empty and full of creeping weeds and broken glass.

From the grounds to the house itself, which is now a shell and houses the Hex ride; There is little of the interior that you will get to see unfortunately. There do seem to be renovations going on, but no word on if this will be historical, a posh restaurant or just another ride. The chapel, with its beautiful hand painted ceiling and stained glass windows is accessible! Unfortunately the ornate alter and paneling was sold many years ago, but a small example of this is framed on the wall with a new reproduction next to it). At first it just feels like an empty room, but you soon find yourself immersed in the ceiling, the restored angels and old side windows with their intricate detailing.

Alton Towers Chapel Ceiling by Kitten von Mew

The ceiling in the chapel, hand renovated with angel statues. Taken by KvM

Stained Glass Windows at Alton Towers by Kitten von Mew

Left hand stained glass window of the chapel, taken by Kitten von Mew

I wasn’t a big fan of the main window, which is a modern piece designed by a local artist. I was however a lover of the colours that were projected on to some of the walls of the room:

Reflections in the Chapel by Kitten von Mew

Reflections from the main chapel window, taken by Kitten von Mew

When exiting the chapel, a conservatory walkway is visible and also serves as part of an exit for the Hex ride. This is currently being restored and some of the original beauty is still visible!

Original Flooring, taken by Kitten von Mew

Original Flooring, taken by Kitten von Mew

Alton Towers Fresco taken by Kitten von Mew

Fresco on arched doorway, leading from the conservatory hallway to the main house, taken by Kitten von Mew

Central Garden and Conservatory taken by Kitten von Mew

Central Garden and Conservatory taken by Kitten von Mew

Alton Towers House, taken by Kitten von Mew

Alton Towers House, taken by Kitten von Mew

It was not hard to visualise what this place had been like in it’s heyday. So full of music, laughter and entertaining! But I guess that is what it is now, just in a different way.

A short history on Alton Towers…

It was thanks to the 16th Earl of Shrewsbury that Alton Towers became such an amazing Gothic mansion. Hiring the famous architect Pugin in 1837 to add extra rooms for the ever growing family and art collection, Alton Abbey was transformed into Alton House. His budget was luckily not on the small side, so lavish vaulted ceilings, amazing carvings, light fixtures and fresco’s were a few of the additions brought to the home until the untimely death of Pugin in 1852 and then the Earl’s unfortunate passing from Malaria a few months later.

Unfortunately the 16th Earl’s cousin Bertram, aged 19 years, inherited the estates and title but died within 4 years, although in that time built Shrewsbury Cathedral with Pugin’s eldest son William and finished the work at Alton Towers.

After the 17th Earl’s death there ensued a bitter fight for the title and grounds as he was last in line of the Talbot heirs.  He had arranged in his will that the deeds were left in Catholic hands with the Dukes of Hazard Norfolk, but this was unfortunately over-ruled and Henry Chetwynd-Talbot took over the great estate. Unluckily for him, this did not include the contents and his celebration meal took place in a rather empty building. In 1857 the executors of the estate had sold off most of the contents in over 4000 lots at auction. Due to the legal action, the 18th Earl’s finances weren’t exactly flush and he could not replenish the lost beauty up to scratch. There was a miss-match of furniture and only basic maintenance upheld. Henry’s main home Ingestre Hall still remained his main abode other than when it suffered a large fire in the 1880’s.

It was in the 1890’s that the 20th Earl Charles Henry John Chetwynd-Talbot (are you keeping up?!) decided to open up the lavish gardens as a tourist attraction. 1000’s of people would attend these open garden events which would include circus acts and fete stalls! In 1896 the Earl divorced his wife and left the impoverished ex in Alton Towers, with no money to maintain the building. Most the estate was sold off in 1918 with the house being sold in 1924. This included a mass auction of the rest of the contents.

The house was never to be lived in again. It was finally passed onto the Talbot family again and the main dining room was transformed into a tearoom for garden guests in the 20’s and 30’s.

During WWII the house was used by the Cadets and they looked after the house very well considering! The house seemed in good stead until 1952 when the owners decided to blame the armies occupants for all manner of excuses to strip out the remainder of anything valuable.

From roofing to floorboards, local residents watched van loads drive out of Alton for weeks. The rest was then set alight in a big pile at the Eastern end of the big house, leaving but a shell. In the 1970’s some of the floors were re-instated to provide some menial structural support.

I have heard many stories, myths and legends about Alton Towers including the original gardens being created in dedication the the Earl’s deceased wife, so that he may be closer to her in heaven, but I do not know which Earl this was or if it is even true!

One thing that is true though, is the tale of the chained oak tree that you may see snippets of in the Hex ride. There is indeed a chained oak between the gates and Alton village. The 15th Earl demanded every branch of the tree to be secured after running into an old beggar woman who cursed him for not giving her a coin. He dismissed her at first as she shouted “For every branch on the Old Oak Tree here that falls, a member of the Earl’s family will die.” , but a violent storm ensued that night and a branch fell off of the tree and a member of the family died.

Whether or not this is all true, the tree and it’s chains remain.

BBC’s Wartime Farm Book by Octopus Publishing


Wartime Farm Book with Kitten von Mew

Kitten in her kitchen reading Wartime Farm

This week a rather exciting parcel arrived on my doorstep from Octopus Publishing! If anyone was a fan of The Edwardian Farm series on the BBC, they will know that the latest is Wartime Farm, taking you through pre and wartime farming life. This wonderful parcel was the book to accompany the series.

Beautifully presented with lots of interesting photos, fact and recipes, the reader can learn all about farming in the war, the machinery and techniques, the Women’s Land Army and my favourite part…wartime recipes for food and Soapwort shampoo! There is a splendid section dedicated to country fashion, hairstyling (with instructions for Victory Rolls) and entertainment (You can learn the basic foxtrot with the footstep diagram!) and even about the wartime evacuees that descended on the countryside.

Womens Land Army Poster

Women’s Land Army Poster

It always shocked me how much food was rationed in WWII, but to see it in pictures really does bring it home when you see the size of a piece of cheese or lard that had to last your family a week. There is a chapter on preserving and drying meat and fruit with some fantastic and at other times baffling recipes with step by step instructions.

I will definitely be trying the elderflower cordial recipe and possibly the Baked Potato Pudding (A pastry base with raspberry jam, topped off with mashed suede and potato which is baked in the oven). Im not too sure about the mock marmalade which uses crab apples, but the Soapwort shampoo certainly sounds interesting and Ruth Goodman said it was the best she had ever used and was now converted to it!

BBC Wartime Farm Series

BBC Wartime Farm Series

If you are looking for Christmas gifts or perhaps an interesting coffee table book for fans of the TV series, you can get this stunning hardback book from the publishers, Amazon or other book retailers.

Goodwood Revival 2012


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Murray Walker and Kitten von Mew, Goodwood 2011

With only 9 days left until the glory of Goodwood Revival yet again zooms it’s way around the track, I thought I would tell you some exciting developments for this year’s show! Revival is far from just classic car racing Catnips, it is a full day of entertainment, vintage and vintage inspired stalls, aircraft displays, famous racing car displays and more!

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Goodwood Revival Party 2010 with Kitten and Lord March

This year is especially exciting for me as they are featuring a new entertainments section called Over The Road, which is more early 1940’s inspired than the 1948-1966 areas that are usually on offer! Here you will find the famous Chap Olympiad (Ok, so they are more 20’s/30’s, but they are also a complete hoot and worth watching!) and Mr. B the Gentleman Rhymer who wraps in a King’s English accent over hip hop soundtracks and also pays the banjo splendidly(I will be sneakily trying to catch a glimpse myself as YouTube videos will not quench my thirst for his eclectic rhythm). As well as this there will be other pieces of entertainment in the Victory Street Party, which hosts a variety of stalls, an Earl Grey Tea Shop (yum!) and 2 hilarious eateries/ watering holes named Dig For Victory (think salads and fruit smoothies) and the Spit n Sawdust pub!

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Kitten with Sue O Donoghue at Goodwood Revival 2011

I will be there in my RAF corset doing meet and greets and posing for pictures, so please collar me as I walk by for a photo and chat! I hope to see many regular faces as well as new ones and remember to take the opportunity to dress up and join in the fun!

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Kitten and little soldier at Goodwood 2011

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Kitten and Chris Barrie at Goodwood 2011

Twinwood Festival Burlesque Photos by Lee Parker


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Richard and Kitten von Mew on the Vintage Life Magazine stand. Taken by Lee Parker

I have just received a photo CD from Lee and had to post up some of his shots from Twinwood 2012. There were so many  great ones, it was hard to narrow them down, but they deserve to be seen!  Here are some of my Lili Mewleen burlesque act from the Colonial Club and a few of my ATS fan dance at the Casablanca!

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Kitten von Mew as Lili Mewleen – Taken by Lee Parker

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Close up of original shot by Lee Parker

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“Oh nein!” Taken by Lee Parker

 

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Kitten in her Voller’s Corset by Lee Parker

 

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Clam shell kisses, taken by Lee Parker

 

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Kitten singing in the Casablanca Club in her ATS Corset by Lee Parker

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A song and a smile making life worth while! By Lee Parker

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Kitten von Mew’s ATS Fan Dance by Lee Parker

 

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Low flying Spitfires! Taken by Lee Parker

 

 

Twinwood Festival 2012


So…back from Twinwood and I can safely say that it was even better than last year. I loved the fact they had a new big marquee (The Colonial Club) and although the weather forecast threatened everything from thunder storms to hail, we were very lucky!

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Kitten von Mew with Vintage Life Magazine taken by Lee Parker

I managed to meet up with some of our friends Lola Lamour, Luna Nightingale plus David Burt, Madeleine Brown, Adam Hoffman (Mr Twinwood!) plus Leanna Faulkner (Voted 2nd in the Miss Twinwood competition), Lee Parker, Shona and Twan of Heyday, the Elliots, the girls and boys from Vintage Life and even a lovely lady that I first met on The Berliner trip!

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Kitten von Mew at Twinwood 2012 taken by Mr Mew

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Shona and Kitten, both in Heyday dresses! Taken by Mr Mew

I couldn’t wait to show Shona my Mary dress that I had embroidered with twigs of oak leaves and swallows. It was taken from a 1940’s embroidery pattern that I had found and doctored. It was my first attempt at embroidery and I was proud of my efforts! Shona was wearing one of her beautiful wrap dresses and an original hat!

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The sweet taste of success. Lee Parker licking Mr Twinwood 2012. Taken by Kitten von Mew

On the Saturday and Sunday evenings I had performances in the Colonial Club, Casablanca Club and Cafe du Bois. The big marquee was perfect for my Lili Mewleen act and although there were a few technical hitches on the first night, the routine went down very well with the audience and I got super feedback!

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Kitten in her Voller’s Corset getting ready for her Lili Mewleen act!

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In the Casablanca and Cafe du Bois Clubs I did my ATS fan dance with spitfire pasties. The atmosphere was electric in these tiny clubs and it was rather hot in there too! Shame I got poorly with a migraine so missed my last performance of the weekend, but Im so glad I made it through the rest as the audiences were fabulous!

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John Miller seems to remember me….

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Worryingly he seems to remember Richard too…

We got to see the Glenn Miller Mystery film that I was looking forward to watching in the Tin Hat Club. They had done a very good job in transferring the stage play onto film and I was pleased to see that they had used the same actors too. The fact that it was set in the buildings in Twinwood made it more real and creepy. I could see this being re-made for the big screen for sure!

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Mr Mew, taken by Kitten von Mew

One thing that completely made me wobbly was the fact that Max Raabe and his orchestra was staying at our hotel! I had a few little chats with the gents and they were lovely and wanted to try and play in England more as they only came over last year. It is amazing to think they have been around for so many years, yet the British vintage market is only just tapping into their talents!

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Max Raabe and some of his Palast Orchestra with Kitten von Mew. Taken by Mr Mew

Unfortunately when I was getting ready to go over to the small clubs, they were performing, so I had to sneak out and take a bit of video and a few photos when I could!

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Max Raabe at Twinwood taken by Kitten von Mew

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Max Raabe taken by Kitten von Mew

So roll on next year! Hope you all had a great time too, I saw soooo many people dressed up and having a good time!